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neumu
Friday, March 29, 2024 
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44.1kHz = music reviews

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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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artist
Ani DiFranco
recording
Revelling/Reckoning
Righteous Babe
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rating


The compact-disc format has made it easier for people to make grand statements. More often than not, though, these have been perpetrated by popular, important, self-important artists whose collective "visions" have amounted to little more than exercises in bombast and hubris. Especially in her early days, Ani DiFranco has shown herself comfortable with bombast and unafraid of hubris; her righteous babe-like principles make the listener ever-aware that the possibility of self-satisfaction is just around the corner. But these fears — most of which do not come from DiFranco herself, but arise through gathered archetype — melt away across this set's lengthy spans (the cover of her eleventh album in 11 years boasting: "Two discs/29 new songs/two hours of music/one righteous babe"), in which Ani D produces her most skillful and soulful work thus far. Most of her outright foot-stamping is gone, and so are those eager coffeehouse-folkie playing-as-hard-as-Steve-Earle strums; instead, her divisions of folk and funk now work in demure measures and through subtle playing. On many tunes, DiFranco plays all the instruments, meaning that often songs are only quietly colored with soft percussion. And, notably, after all these years, DiFranco's voice, always a signature, is becoming a captivating croon befitting someone of her stature. Long done with yelling, her voice is now an expressive instrument, as when she seems to be channeling Karen Dalton on "Revelling," or when she maximizes the hiss of whispers and the acoustics of distance on the gracious "School Night," or when she offers a tremulous cowgal croon amid the dustbowl twangs of "Whatall Is Nice."


by Anthony Carew




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